๊ณผ๋ชฐ์ž… ์ฃผ์˜ : OVER - IMMERSION
LI SETBYUL & JEONG JIYOON

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Exhibition Details

2024.11.19(Tue) - 12.24(Tue)


Artist

LI SETBYUL & JEONG JIYOON

The two-person exhibition [OVER - IMMERSION] by LI SETBYUL and JEONG JIYOON is now on view at Azulejo Gallery.


LI SETBYUL’s work explores themes of disconnection and alienation from the outside world through the concept of a “non-functioning eye.” In her pieces, the eye doesn’t serve its usual purpose of visual perception. Instead, it symbolizes a severed interaction with the external world. Through this striking visual metaphor, the artist examines the structural forces of modern society and the individual’s place within them, offering a reimagining of reality from a fresh perspective.


JEONG JIYOON, on the other hand, delves into the sensory experiences of immersion and focus, presenting them through sculptural forms. While her figures appear deeply absorbed in their own worlds, the artist maintains a deliberate emotional and physical distance from them. This approach encourages viewers to step back and observe the scenes with objectivity rather than becoming fully immersed in them.


Together, the works of these two artists highlight the limitations of perception and gaze while exploring the intricate relationship between personal identity and societal context. LI SETBYUL’s “non-functioning eyes” propose a bold experiment in breaking and reinterpreting our connection to reality, while JEONG JIYOON’s approach balances immersion with detachment to create entirely new sensory experiences. Despite their differing methods, both artists challenge the boundaries of visual perception, prompting audiences to reflect deeply on the psychological and social dimensions of contemporary life.


์•„์ค„๋ ˆ์ฃผ ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ LI SETBYUL & JEONG JIYOON ์˜ 2์ธ์ „ [ OVER - IMMERSION ]์ด ์—ด๋ฆฝ๋‹ˆ๋‹ค.


์ด์ƒ›๋ณ„์˜ ์ž‘์—…์€ ‘๊ธฐ๋Šฅํ•˜์ง€ ์•Š๋Š” ๋ˆˆ’์„ ํ†ตํ•ด ์™ธ๋ถ€ ์„ธ๊ณ„์™€์˜ ๋‹จ์ ˆ๊ณผ ์†Œ์™ธ๊ฐ์„ ์‹œ๊ฐ์ ์œผ๋กœ ํ‘œํ˜„ํ•œ๋‹ค. ์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ ์† ๋ˆˆ์€ ์šฐ๋ฆฌ๊ฐ€ ์ผ๋ฐ˜์ ์œผ๋กœ ๊ธฐ๋Œ€ํ•˜๋Š” ์‹œ๊ฐ์  ์ˆ˜์šฉ์˜ ์—ญํ• ์„ ํ•˜์ง€ ์•Š๋Š”๋‹ค. ๊ธฐ๋Šฅํ•˜์ง€ ์•Š๋Š” ๋ˆˆ์€ ์™ธ๋ถ€ ์„ธ๊ณ„์™€์˜ ์ƒํ˜ธ์ž‘์šฉ์ด ์ฐจ๋‹จ๋œ ์ƒํƒœ๋กœ, ์ด๋Ÿฌํ•œ ์‹œ๊ฐ์  ์ƒ์ง•์„ ํ†ตํ•ด ํ˜„๋Œ€ ์‚ฌํšŒ์˜ ๊ตฌ์กฐ์  ํž˜๊ณผ ๊ฐœ์ธ์˜ ์œ„์น˜๋ฅผ ํƒ๊ตฌํ•˜๋ฉฐ, ํ˜„์‹ค์„ ์ƒˆ๋กœ์šด ๋ฐฉ์‹์œผ๋กœ ์žฌ๊ตฌ์„ฑํ•˜๋ ค๋Š” ์‹œ๋„๋ฅผ ๋‹ด์•„๋‚ธ๋‹ค.


๋ฐ˜๋ฉด, ์ •์ง€์œค์˜ ์ž‘์—…์€ ๋ชฐ์ž…๊ณผ ์ง‘์ค‘์ด๋ผ๋Š” ๊ฐ๊ฐ์  ์ƒํƒœ๋ฅผ ์กฐํ˜•์ ์œผ๋กœ ํ’€์–ด๋‚ธ๋‹ค. ์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ ์† ์ธ๋ฌผ๋“ค์€ ๊นŠ์ด ๋ชฐ์ž…๋œ ์ƒํƒœ๋กœ ํ‘œํ˜„๋˜์ง€๋งŒ, ์ž‘๊ฐ€๋Š” ์ธ๋ฌผ๋“ค๊ณผ์˜ ๊ฑฐ๋ฆฌ๋ฅผ ์œ ์ง€ํ•˜๋ฉฐ ์ƒํ™ฉ๊ณผ ์ฃผ์ œ์—์„œ ํ•œ ๊ฑธ์Œ ๋ฌผ๋Ÿฌ์„œ ์žˆ๋‹ค. ์ด๋กœ ์ธํ•ด ๊ด€๊ฐ์€ ๋‹จ์ˆœํžˆ ์ž‘ํ’ˆ ์† ์ƒํ™ฉ์— ๋ชฐ์ž…ํ•˜๊ธฐ๋ณด๋‹ค, ๊ทธ ์ƒํ™ฉ์„ ๊ฐ๊ด€์ ์œผ๋กœ ๊ด€์ฐฐํ•˜๊ฒŒ ๋œ๋‹ค.


๋‘ ์ž‘๊ฐ€์˜ ์ž‘์—…์€ ์‹œ์„ ๊ณผ ์ธ์‹์˜ ํ•œ๊ณ„๋ฅผ ๋“œ๋Ÿฌ๋‚ด๋Š” ๋™์‹œ์—, ์ด๋ฅผ ํ†ตํ•ด ๊ฐœ์ธ์˜ ์ •์ฒด์„ฑ๊ณผ ์‚ฌํšŒ์  ๋งฅ๋ฝ ์‚ฌ์ด์˜ ๋ณต์žกํ•œ ์ƒํ˜ธ์ž‘์šฉ์„ ํƒ๊ตฌํ•œ๋‹ค. ์ด์ƒ›๋ณ„์˜ ๊ธฐ๋Šฅํ•˜์ง€ ์•Š๋Š” ๋ˆˆ์€ ํ˜„์‹ค๊ณผ ์ฐจ๋‹จ๋˜๊ณ  ์žฌ๊ตฌ์„ฑํ•˜๋Š” ์‹œ๊ฐ์  ์‹คํ—˜์„ ์ œ์•ˆํ•˜๋ฉฐ, ์ •์ง€์œค์˜ ์ž‘ํ’ˆ์€ ๋ชฐ์ž…๊ณผ ๊ฑฐ๋ฆฌ ๋‘๊ธฐ๋ฅผ ํ†ตํ•ด ์ƒˆ๋กœ์šด ๊ฐ๊ฐ์  ๊ฒฝํ—˜์„ ์ฐฝ์ถœํ•œ๋‹ค. ๋‘ ์ž‘๊ฐ€๋Š” ์„œ๋กœ ๋น„์Šทํ•˜์ง€๋งŒ ๋‹ค๋ฅธ ํ‘œํ˜„ ๋ฐฉ์‹์œผ๋กœ ์‹œ๊ฐ์  ์ˆ˜์šฉ์˜ ๊ฒฝ๊ณ„๋ฅผ ํ•ด์ฒดํ•˜๊ณ , ์ด๋ฅผ ํ†ตํ•ด ๊ด€๊ฐ์—๊ฒŒ ํ˜„๋Œ€์ธ์˜ ์‹ฌ๋ฆฌ์ , ์‚ฌํšŒ์  ๊ฒฝํ—˜์— ๋Œ€ํ•œ ๊นŠ์€ ์งˆ๋ฌธ์„ ๋˜์ง„๋‹ค.


Selected Works

Installation Views